Pitch Frames as Melodic Archetypes

نویسندگان

چکیده

برای دانلود باید عضویت طلایی داشته باشید

برای دانلود متن کامل این مقاله و بیش از 32 میلیون مقاله دیگر ابتدا ثبت نام کنید

اگر عضو سایت هستید لطفا وارد حساب کاربری خود شوید

منابع مشابه

Commentary on William Thomson’s “Pitch Frames as Melodic Archetypes”

While the concept of the perceptual “pitch frame” resembles leading theories of pitch structure in music in some respects, it contains some innovative elements that are discussed in this commentary. Additionally, the commentary focuses on the question of whether the “pitch frame” is a temporal or atemporal construct. Submitted 2006 April 12; accepted 2006 April 19.

متن کامل

The Influence of Pitch on Melodic Segmentation

Melodic segmentation is an important topic for music information retrieval, because it divides melodies into musically relevant units. Most influential theories on melodic segmentation of the last decades have stressed the role of pitch for melodic segmentation. The general assumption was, that relatively large changes or distances in any musical parameter like pitch, time, dynamics, or melodic...

متن کامل

The lower limit of melodic pitch.

An objective melody task was used to determine the lower limit of melodic pitch (LLMP) for harmonic complex tones. The LLMP was defined operationally as the repetition rate below which listeners could no longer recognize that one of the notes in a four-note, chromatic melody had changed by a semitone. In the first experiment, the stimuli were broadband tones with all their components in cosine ...

متن کامل

Archetypes as action patterns1

The discovery of mirror neurons by researchers at the University of Parma promises to radically alter our understanding of fundamental cognitive and affective states. This paper explores the relationship of mirror neurons to Jung’s theory of archetypes and proposes that archetypes may be viewed as elementary action patterns. The paper begins with a review of a proposed interpretation of the fai...

متن کامل

Emergent Construction of melodic pitch and hierarchy through agents communicating emotion without melodic intelligence

A multi-agent system is presented which generates melody pitch sequences with a hierarchical structure. The system has no explicit melodic intelligence and generates the pitches as a result of emotional influence and communication between agents, and the hierarchical structure is a result of the emerging agent social structure. Another key element is that the system is not a mapping from multi-...

متن کامل

ذخیره در منابع من


  با ذخیره ی این منبع در منابع من، دسترسی به آن را برای استفاده های بعدی آسان تر کنید

ژورنال

عنوان ژورنال: Empirical Musicology Review

سال: 2006

ISSN: 1559-5749

DOI: 10.18061/1811/24078